Manuscripts
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Book of Hours (Use of Rome?)
In Latin, illuminated manuscript, on parchment. 4 full-page miniatures; 8 historiated initialsSouthern Netherlands, Ghent or Bruges, c. 1480 -
Vulgate Bible
In Latin, decorated manuscript on parchmentSpain, Kingdom of Castile (Seville?), c. 1240-1260 -
Book of Hours (use of Rome)
In Latin, illuminated manuscript on parchment. 14 full-page miniatures with full borders and 11 small miniatures in the style of the Masters of the Beady EyesSouthern Netherlands, Ghent or Bruges, c. 1460-1470 -
Thomas Aquinas , Sententia libri Ethicorum, or Liber super ethicorum aristotelis (Commentary on the Ethics of Aristotle)
In Latin, illuminated manuscript on parchmentNortheastern Italy (Venice), c. 1470 -
Book of Hours (Use of Rome)
In Latin and French, illuminated manuscript, on parchment. 14 large miniatures and 23 small miniatures from the workshop of Jean Coene IV (=Master of the Paris Entries)France, Paris, c. 1500 -
Book of Hours (Use of Rome)
In Latin, calendar and some rubrics in French, illuminated manuscript on parchment, 5 large and 5 small miniatures by the workshop of the Master of the Entry of FrancisFrance, Lyons, c. 1510 -
![Jerome, Letter LIV To Furia [To Furia, On the Duty of Remaining a Widow], in the translation by Charles Bonin , c. 1500-1510](https://artlogic-res.cloudinary.com/w_566,h_424,c_limit,f_auto,fl_lossy/ws-lesenluminures/usr/images/artworks/main_image/items/1f/1f5e38d616bf4639bb1002e6e7443d54/935_jerome_f4v-5.png)
Jerome, Letter LIV To Furia [To Furia, On the Duty of Remaining a Widow], in the translation by Charles Bonin
In French, Illuminated manuscript on parchmentFrance, likely Bourges, c. 1500-1510 -
Book of Hours (Use of Cambrai)
In Latin and French, illuminated manuscript on parchment. 1 large and 14 small miniatures by the Workshop of Simon MarmionFrance, Valenciennes, c. 1475-1480 -
Printed Book of Hours (Use of Rome)
In Latin and French, imprint on parchment. 17 large wood- and metalcuts, 2 smaller (Grail and anatomical man) metalcuts, 28 small wood- and metalcuts within the text (some repeated), and wood- and metalcut borders by the Master of the Très Petites Heures of Anne de BretagneParis, Antoine Verard, August 22, 1506