Manuscripts
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The Earl of Ashburnham “Songe du Vergier”
In French, Illuminated manuscript on parchment. 2 large miniatures by the Master of the Vienna Roman de la Rose (Jean Hortart?)France, Lyons, c. 1455-1460 -
The “Le Saunier” Hours
In Latin and French, Illuminated manuscript on parchment. 16 full-page miniatures, 15 small miniatures, 24 calendar miniatures attributed to the the Lambert Master (or Master of Guillaume Lambert, active in Lyon, 1475–1500) and the Master of the Alarmes de Mars (active in Lyon, circa 1485–1510)France, Lyon, c. 1490-1500 -
Hours of Jean Antoine de Mahieu and Jacqueline de Sivry (use of Mons)
In Latin and some French, Illuminated manuscript on parchment. 22 full-page miniatures by the Mildmay Master (13), the Master of Philippe de Croÿ (7), and a third Mons illuminator, follower of Simon Marmion (2) and 4 small miniatures by the Mildmay MasterSouthern Netherlands, Mons, c. 1460 (original portion), c. 1480-1490 (updated) -
The Newton Hours and Prayer Book (Use of Sarum)
In Latin, Illuminated manuscript on parchment. 62 miniatures, 44 full-page, by the Mildmay MasterSouthern Netherlands, Bruges, c. 1460-1470 -
Psalter-Hours (Dominican use)
In Latin and French, Illuminated manuscript on parchment. 4 large miniatures by Jean Coene IVFrance, Paris, Dominican Convent of Saint-Louis de Poissy (?), c. 1505-1515 -
Book of Hours (Use of Evreux)
In Latin and French, Illuminated manuscript on parchment. 7 miniatures by the Talbot MasterFrance, Rouen, c. 1450–1460 -
Book of Hours (use of Geert Grote)
In Dutch, Illuminated manuscript on vellum. 5 full-page miniaturesSouthern Netherlands, diocese of Liege (Limburg or Brabant?), c. 1420 -
Printed Book of Hours (use of Rome)
In Latin and French, Printed and illuminated on parchment. 14 painted metalcuts with illuminated borders, painted initials, and printer’s device likely illuminated in the Hardouyn WorkshopFrance, Paris, Germain Hardouyn, c. 1536 -
Printed Book of Hours (Use of Rome)
In Latin and French, Printed on parchment. With seventeen full-page metalcuts (out of 18), one large woodcut, Kerver’s printer’s mark, forty-four small metalcuts, and full borders on every page with figurative decoration by the Master of the Très Petites Heures of Anne de Bretagne and Jean PichoreParis, Thielman Kerver, January 20, 1507 (dated colophon)
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